Le Cid (Classiques) (French Edition)

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  1. Introduction
  2. Le Cid by Corneille
  3. Le CID (french Edition) by Pierre Corneille
  4. Follow the Author

N'as-tu point trop fait voir quelle inegalite entre ces deux amants me penche d'un cote? Log-in or create an account first! Ships with Tracking Number! Buy with confidence, excellent customer service! May not contain Access Codes or Supplements. Le Cid Corneille Bordas, This book has soft covers. Ex-library,With usual stamps and markings,In poor condition, suitable as a reading copy. Cloud 9 Books Condition: This book has hardback covers. In fair condition, suitable as a study copy. Tragi-Comedie Corneille Librairie Larousse. With usual stamps and markings, In good all round condition. No date, grams, ISBN:.

Le Cid [Paperback] Corneille In very good condition. Book has tanned with age. A few markings in pencil.


Solidly bound copy with moderate external wear. Previous owner's name inscribed on first front-end page. Inscription on first page. Small dark spot on spine. Heath's Modern Language Series. This is a modern version relatively speaking of Corneille's revision of his play based on the life of the legendary Spanish warrior. The play is in French. The blue cover is worn along the edges and the on the corners, which are also bumped. The top and the bottom of the spine are worn. A previous owner made notes in pencil on the front free end paper, where a 2" by 2" square of pink paper has been glued in.

Many text pasages are underlined in pencil or in ink and notes have been made in the margins. The binding is tight. Ex-library, With usual stamps and markings, In good all round condition. Le Cid Corneille Librairie Hachette.

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In poor condition, suitable as a reading copy. Le Cid Corneille Author ; L. Dubois Edited by Paris, France: Solidly bound copy with minimal external wear, crisp pages and clean text. Light fraying on spine. Le cid Corneille Firenze, Introduzioni e note di Luigi de Anna. Foreign Language Book - French.

Le Cid by Corneille

Librairie Hatier nd c. Le cid Corneille Paris: Le Cid Corneille Paris: Cover has pictorial representation of the play, El Cid. With a few notable exceptions, almost all monographs on Corneille treat his works chronologically, following the twists, turns, and occasional leaps or hiatuses of a career that is characterized by experimentation and change. Interestingly, however, the same chronological approach is the default even in less explicitly biographical works.

Indeed, some of the most compelling and original works on Corneille have abandoned a chronological approach. Even after the pioneering work of H. Corneille had a great understanding of history, and not just in the straightforward sense of his copious knowledge of historical sources; as Lyons demonstrates, Corneille shows an acute understanding of the complexity of historical movements and the intractable problems that hindsight — his own, but also that of his characters — can bring.

Le CID (french Edition) by Pierre Corneille

Indeed, commentators have been increasingly attentive to the potential tensions between political and aesthetic concerns. After politics though deeply intertwined with it , the next richest vein for thematic studies of Corneille has surely been gender. Although many of these, unsurprisingly, focus on theatre — whether specifically French or more broadly European 55 — Corneille also surfaces in a number of comparative or transnational studies whose focus far exceeds the stage.

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An Old Parallel Revisited. Various books have appeared arguing the case, adopting a range of approaches, biographical, statistical, and lexicographical. As Corneille was well aware from adapting his own historical sources, the more compelling and vraisemblable such a narrative would be, the more it would implicitly involve omitting some examples, overvaluing others, and establishing origins and turning points that are ultimately artificial or indefensible.

That said, if anything emerges from an overview of recent Corneille scholarship, it is the impression of a corpus in constant evolution. This is, of course, only appropriate for a writer whose career spanned almost a half-century of great political, personal, and aesthetic change. But it is striking how often this flux is reflected in the very form and structure of so many Corneille monographs, and indeed many of the very best ones. Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide.

Follow the Author

Sign In or Create an Account. Close mobile search navigation Article navigation. Pierre Corneille Joseph Harris. Gallimard, , p. Among the various proceedings from Corneille conferences and other events in , the most notable are: Biblio 17, ; and Convegno di studi su Pierre Corneille nel 3 o centenario della morte , ed.

Harold Bloom, The Western Canon: Riverhead, , p. Grant and Cutler, ; W. Grant and Cutler, ; Germain Poirier, Corneille: Hatier, ; Hubert Carrier, Corneille: Hatier, ; C. Grant and Cutler, ; and Alain Couprie, Corneille: The Grant and Cutler series has also offered two excellent student guides covering pairs of Corneille plays: Grant and Cutler, , and Derek A. Grant and Cutler, See, for example, Constant Venesoen, Corneille: Lettres modernes, ; David Clarke, Pierre Corneille: Droz, , p.

Summa, , p. This latter tendency is particularly evident in R. The Role of the Unexpected Cardiff: University of Wales Press, , p. Rodopi, , pp. Aux amateurs de livres, ; Lectures de Corneille: Presses universitaires de Rennes, ; and Corneille: Conferences and edited volumes on Corneille have rarely tended to have a specific focus beyond sometimes a certain textual corpus.

Presses universitaires de Rouen et du Havre, Susan Read Baker, Dissonant Harmonies: Nizet, ; Corneille comique: Mallinson, The Comedies of Pierre Corneille: Experiments in the Comic Manchester: Corneille, Rotrou et les autres Paris: Nizet, , and Anna Lia Franchetti, Il salotto e la scena: